the last tourist a novel olen steinhauer

Steinhauer manages to push the genre’s darker aspects to the extreme … without sacrificing the propulsive forward momentum…. Only le Carré can make a spy as interesting. The Tourist shines a light on the moral costs. Spying is a nasty business that chews up and spits out the people involved in it. Unlike most espionage tales written in the years since that classic work first saw print in 1963, however, he manages to give his characters - even the most reprehensible ones - a human side and a degree of warmth.

Olen Steinhauer has composed a hugely complex successor to The Spy Who Came in from the Cold. Steinhauer … goes above the straightforward thriller to show the consequences of a spy’s existence on every level…. The Tourist is an incredibly multifarious and multi-layered novel…. While the international intrigue and cross-country chase are the stuff of traditional Hitchcockian entertainment, Steinhauer once again demonstrates how his economical prose can turn unrelenting paranoia into an exciting ride. “The Tourist” is a complex, contemporary espionage story told with wit and sagacity, and it offers up a dozen or more intricate characters who keep the action on target. Steinhauer’s Milo Weaver trilogy could turn out to be something special. “The Tourist” is serious entertainment that raises interesting questions…. Tour de force … scathing … first-rate popular fiction … Steinhauer seems to know the world of spies and assassins all too well…. The Tourist … raises a lot of questions, but only answers enough to keep the story moving briskly and the reader’s curiosity stoked through to the end. As rich and intriguing as the best of Le Carré, Deighton or Graham Greene, Steinhauer’s complex, moving spy novel is perfect for our uncertain, emotionally fraught times.

Janet Maslin, The New York TimesĪlthough readers can hope to see it on the screen, “The Tourist” should be savored now. If he’s as smart as “The Tourist” makes him sound, he’ll bring back Milo Weaver for a curtain call. le Carré’s characters like to call tradecraft.

Steinhauer, the two-time Edgar Award nominee who can be legitimately mentioned alongside John le Carré, he displays a high degree of what Mr. He’s acquired a wife, a daughter, and a brownstone in Brooklyn, and he’s tried to leave his old life of secrets and lies behind.īut when the arrest of a long-sought-after assassin sets off an investigation into one of Milo’s oldest colleagues and exposes new layers of intrigue in his old cases, he has no choice but to go back undercover and find out who’s holding the strings once and for all. Milo Weaver used to be a “tourist” for the CIA-an undercover agent with no home, no identity-but he’s since retired from the field to become a middle-level manager at the CIA’s New York headquarters.

The last tourist a novel olen steinhauer